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Kano Censorship Board Hands One-Year Ban to 2 Kannywood Actors Over Viral Video

The Kano State Censorship Board has suspended two Kannywood actors, Amina Uba Hassan and Adam Garba, for one year following the circulation of a video the board deemed indecent and contrary to the state’s religious and cultural values.

 

The decision, which takes immediate effect, bars both actors from featuring in any Kannywood productions for the duration of the suspension. As is consistent with the board’s established practice in such cases, the censorship of any film in which the affected actors appear has also been halted, effectively removing them from the industry pipeline until the suspension period elapses.

 

The Kano State Censorship Board, established in 2001 and empowered by law to regulate all films, music and creative content in line with Kano’s Islamic and cultural standards, has in recent years significantly stepped up its enforcement activities across the Kannywood industry.

 

The board’s information officer, Abdullahi Sani Sulaiman, has become a familiar voice in announcing such disciplinary actions, with the board consistently citing its legal mandate to ensure that all forms of creative expression within the state align with its religious norms and moral standards.

 

The latest suspensions follow a pattern of escalating regulatory action that has defined the board’s posture towards Kannywood practitioners in recent years. In January 2025, the board banned singer Usman Sojaboy and actresses Shamsiyya Muhammad and Hasina Suzan from all industry activities after a video featuring the artists was deemed to portray immorality contradicting Kano’s values.

 

That same month, actress Samha M. Inuwa was handed a one-year suspension for what the board described as crude dressing and vulgar displays on social media. The board has also, in the past, suspended prominent names including Rahama Sadau and Nafeesat Abdullahi under similar circumstances.

 

Beyond individual suspensions, the board extended its disciplinary reach to productions in 2025, suspending 22 popular Hausa film series including Labarina, Dadin Kowa and Gidan Sarauta for being released without mandatory pre-censorship clearance.

 

The board has also moved against physical entertainment spaces in the state, revoking the licences of several entertainment centres accused of hosting late-night shows and vulgar content.

 

Critics of the board’s approach, including civil society groups and media freedom advocates, have warned that the frequency and scope of such interventions risk suppressing creative expression and driving content creators towards unregulated platforms beyond the board’s reach. Supporters, however, argue that the censorship apparatus is an essential safeguard for a deeply conservative society, where the boundaries between cultural identity, religious observance and artistic freedom remain intensely contested.

Mubarak Bello

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